Captain Marvel #1 by Michele Fazekas, Tara Butters, Kris Anka, and Matthew Wilson
A solid first issue that does a good job of establishing Carol Danvers’s new status quo as head of the new version of Alpha Flight, which is apparently the new version of SWORD. The art by Anka and Wilson is crisp and clean; this is a nice looking book, which I could not say about the title when it launched in 2012 with Dexter Soy as the artist. If there’s a flaw here, it’s a tendency by Fazekas and Butters to not introduce the supporting players. Aurora and Sasquatch are called out in identifier captions, but there’s nothing else about them. Abigail Brand and Puck receive more prominent roles, but it feels like key information is missing for new readers, particularly that Puck’s small stature is the result of a mystical curse, when he complains how much pain he’s in due to his size. Still, those concerns aside this is a solid and fun book.
Clean Room #2-4 by Gail Simone, Jon Davis-Hunter, and Quinton Winter
I enjoyed the first issue of Clean Room, but it felt like it didn’t go much beyond the idea of a comic examining the cultural footprint of Scientology. The second issue is a superb horror comic and the fourth in particular feels like it expands the title beyond the Scientology box. This is very close to becoming DC’s best comic.
Citizen Jack #1 by Sam Humphries, Tommy Patterson, and Jon Alderink
We all have our pet peeves and one of mine is when the first issue of a comic is basically just a dramatized version of the solicitation copy. I mean, okay, the solicitation probably didn’t mention Cricket, the dolphin political pundit, but if you’re selling your comic with the premise that it’s about a politician selling his soul to the devil to get elected president, don’t end your first issue with him selling his soul. Let me put it another way, if this comic was published by Valiant, this wouldn’t be #1, it would be #0. Maybe I’ll give this another try when the trade hits, but as it is I feel like I gave it a shot and the creative team gave me nothing I couldn’t get from a blurb in Previews.
New Romancer #1 by Peter Milligan and Brett Parson
Well, it’s better than Greek Street. Oddly, despite the bloody last two pages, this does not feel at all like a Vertigo book, it seems like it’s aimed mainly at female teenagers, largely due to Parson’s utterly gorgeous art, which if it has any antecedent in Vertigo history, it’s probably Phillip Bond. The book’s lead, Alexia Ryan, is a programmer for an online dating site. A Weird Science-like accident (the film, not the EC Comic) leads to her algorithm coming to life as Lord Byron. Some hijinks ensue, and the last page implies things won’t be all fun and games. Overall, this is a solid start, but as always, there is the distinct possibility of things turning with Milligan, who is probably the least consistent great writer in comics history.
The Shield #1 by Adam Cristopher, Chuck Wendig, Drew Johnson, and Kelly Fitzpatrick
Nice looking, but boring. Cristopher and Wendig’s reinvention of the Shield as a perpetually reincarnated spirit of America hits notes genre fans have seen time and time again. And at least give her a shield, considering it’s the book’s title and the most famous aspect of the character (at least the Impact version was wearing shield-like armor).
– Joe Gualtieri