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Trouble with Comics, Kicking Kickstarter

Kicking Kickstarter

I’m told there’s a Kickstarter for Sabre, an ancient, creaking sci-fi bloatfest that was also a trailblazer in the era in which independent comics were first gaining a toehold in the market.

I’m sure it makes me a terrible, terrible person, but I see Kickstarter as a real negative for comics, as counter-intuitive as that is. It encourages projects that the marketplace should really decide the value of based on the actual work, not on PR, past work by the same creators, or fanboy delusions of patronage.

Kickstarter is a nice idea in the abstract, empowering creators and readers and adding further irrelevancy to the most venal, malingering publishers. In reality (I’ve see no evidence otherwise, years now down Kickstarter Road) it devalues the idea of patronage by making quality and worthiness secondary ideals to noise and hubbub. Instead we find a mediocrity-empowering dynamic of 10,000 entitled fanboys with five bucks each burning a hole in their Paypal accounts’ pockets, and the biggest unknown not being whether the work will be any damn good at all, but whether it ever even gets created in the first place.

Alan David Doane

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