Trouble with Comics, ADD on A Treasury of XXth Century Murder: Lovers' Lane - The Hall/Mills Mystery

ADD on A Treasury of XXth Century Murder: Lovers’ Lane - The Hall/Mills Mystery

What else is there to say about Rick Geary’s Treasury of 19th/XXth Century Murder series, published by NBM? The series has been going on forever, every volume is a delightful and offbeat look at a genuine historical murder mystery, and Geary is probably one of the three or four most talented and accomplished North American cartoonists alive today. If sales were based on quality alone, each new volume in this series would be selling millions of copies. For surely millions of readers would enjoy this literate and visually stunning series, the overarching subject matter of which has informed untold successful movies, TV series and novels – murder.

From Cain and Abel in the Bible, to Alan Moore and Eddie Campbell’s From Hell to Ed Brubaker and Sean Phillips’s Criminal in comics, from Agatha Christie to Donald Westlake in prose, murder has long been probably the second-most consumed form of entertainment after pornography, and sometimes the lines are blurry between the two. Certainly both can deliver titillation and spectacular climaxes, although stories about murder can contain subtlety and nuance few works of pornography would ever aspire to. At its best, stories about murder, both fiction and non-fiction, can tell us something about ourselves and our world.

And of course, there are nearly as many ways of telling a story about a murder as there are murders themselves. But few artists have created such a powerful and engaging niche for themselves with this genre of storytelling as Rick Geary has. For as standard as many of his storytelling devices seem to come with every project he tackles, the strangeness of the stories and the sheer, unadulterated joy he takes in telling them make the Treasury of Murder series indispensible for lovers of true crime, and for aficionados of top-notch comic book storytelling. None of these volumes has ever disappointed me in any way. Whether as seemingly well-known a tale as that of Lizzie Borden or the assassination of Abraham Lincoln to the virtually unknown-to-me stories about The Bloody Benders, or this one, about the Lovers’ Lane murders of a man of the cloth and his mistress, Geary always delivers an astonishing amount of information. Because murder is messy and real life isn’t fiction, we don’t always find out who exactly dunnit, but I think it’s safe to say no reader has ever closed one of Geary’s murder books feeling that facts were left out, or that the whole story wasn’t told.

In this new volume, Geary introduces a bizarre murder scene and then establishes the various suspects and motivations. Given the nature of the killings, there’s little doubt that it was personal, and primarily spurred by the relationship between the two lovers. But many questions can be asked about the killer or killers, and precisely what it was about the illicit affair that made murder inevitable. As always I am most fascinated by how Geary ties in the moral standards of the day and the reaction to the world at large to both the murders and the secret events that led up to them. And, as always, I am blown away by the meticulous beauty of Geary’s artwork; though he employs many, many lines in creating the worlds in which he immerses us, never does a line feel unnecessary, extraneous or flamboyant. Somehow, every line Geary lays down, every silhouette he chooses to use, is perfectly placed to tell just precisely the story he wants to tell us, in just the manner he wants to tell it in. Few writer/artists in the history of comics have show such sustained control over their instrument, while at the same time offering up exquisitely produced comics again, and again, and again. 

Some of the books in this series leave little doubt who the perpetrator or perpetrators was or were. Some of the facts in some of the cases introduce so much doubt that Geary can only present them and ask the reader to render judgment, or not. But the delight in these books is not in the solving of a mystery, or the closing of a case. The delight in Geary’s ongoing investigations into some of the weirdest murders in history is seeing how he gathers his facts, and how he lays them out for us, and the little touches he injects along the way that add gravity, legitimacy and often whimsy to his reflections on the darkest of all human impulses.

Alan David Doane 

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