INQUIRE ABOUT ADVERTISING ON TROUBLE WITH COMICS

Trouble with Comics

Somebody Said Marvel’s “Secret Invasion” Was A Story

It isn’t a story, it’s the bare bones of an idea for a plot that a story could have been built on (but was not). What you describe (“shape-shifting aliens invaded years ago”) is what Gaines and Feldstein called “springboards,” and they kept them on 3x5 cards at EC Comics so they had a place to start. (Pro tip: a story doesn’t fit on a 3x5 card — not a multi-issue epic story, anyway.) That’s the problem with Bendis and many corporate superhero comic book “writers,” these days — they consider the job done when they have a nugget of an idea, rather than blowing it up and exploring it and revising it and making it into something well-written, professional and occasionally even memorable, like Moore, like Morrison used to do, like Gaiman and Ennis and Ellis are sometimes capable of, like Millar and Straczynski had the potential to do before they disappeared up their own asses, like Hickman and Snyder might be capable of in another five or ten years if they don’t get better-paying jobs writing even worse-reading material outside of comics. Story is what the original Image creators thought either didn’t matter or they could fake on their own. Erik Larsen faked it until he made it, the rest hired other writers, some of whom knew what they were doing, some of whom were Jeph Loeb. 


A story by definition has a beginning, middle and end, with structure and character arcs and theme and other stuff that someone who didn’t drop out of high school and then college (like me), would be better capable of mapping out. 

Story isn’t that fucking Robert McKee book, and it isn’t something you can do just because you READ that fucking book. Storytelling is a skill and an art; it’s something you can learn, but the passion to do it is something you’re born with or at least is evident very early on. It’s something, honestly, that I personally don’t have in me, but I fucking well recognize it when I see it, and Secret Invasion ain’t it. A missed opportunity? Yeah. A huge disappointment? You bet. A story? Hell, no.

— Alan David Doane

Don’t do comics. Comics will break your heart.
Jack Kirby
Best Wishes, Kim Thompson

Fantagraphics co-publisher Kim Thompson has just released a statement that he’s been diagnosed with lung cancer. I’m sure I speak for my partner in crime, Alan David Doane, in saying that Kim is a huge inspiration and influence, and we wish him a speedy recovery.

—Christopher Allen

Chris Sprouse Off Card Superman Story

Lots of people are congratulating Chris Sprouse for asking DC to replace him on hatemonger Orson Scott Card’s upcoming (or not) online Superman story. And yes, he did the right thing. But when you read his statement, which even in this headline is misconstrued, Sprouse says nothing about DC’s decision to hire Card, nothing about gay marriage or gay rights. He is merely uncomfortable with the negative attention. He just wants to draw comics that are discussed for the comics themselves rather than the creators’ beliefs, and that’s fine, though it’s a little weird to me he goes out of his way to make clear he’s cool with DC Comics and will continue to work with them. So he’s fine with them hiring Card, just not with people who don’t like Card now not liking him if he works with the guy. It’s a career-based decision. Understandable, especially in a tough comics industry that isn’t growing but continues to have new talent coming in, competing for work. But let’s not call the guy a hero.

—Christopher Allen

Here’s a fine letter to DC Comics objecting to the hiring of hatemonger Orson Scott Card to write some Superman comics.

michaelhartney:

Hi, DC!

My name’s Michael Hartney. I’m as big a Superman fan as you’ll ever meet. I have bought Superman comics every Wednesday since I learned to read, which was nearly 30 years ago. Superman was the subject of my blog and my one-man show. My name is tattooed on my arm in Kryptonian, for Zod’s…

What makes [Superman] interesting other than that he’s really, really strong? That question led me to want to redefine Clark in ways that made him more interesting and more flawed as a person. Not in a dark, mean, cynical way, because that’s way too easy. But as a true outsider whose heart is vulnerable. I wanted to emphasize the loneliness of a kid growing up knowing just how different he was from everyone else, who had to keep his distance for their protection and his own.

Quote of the Day | ‘What makes Superman unique?’ | Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment

This is basically every kid ever, if you think about it for longer than a half-second. This isn’t a Superman thing. It’s not profound. It’s just the human experience. It’s how we do. It’s not special.

(via iamdavidbrothers)

To quote Orson Welles, “the right reading is the one I’m giving (and not David Brothers’)”. The “feeling like an outsider” part is, yes, typical of all children and indeed, many adults. But that’s not all the quote is about. Superman is a “true” outsider, as opposed to just feeling like one. He’s an alien, and he has to keep his distance to protect others from his powers. The trick is to mix the relatable aspect (we all feel out-of-place) with the different (real alien with powers).

Since we’re on the topic of creative changes, one of the things that was a big discussion point for a while was Gail Simone being on and off “Batgirl.” With Gail now reinstated on the title, I have to ask — how much was fan outcry and fan support part of that creative editorial decision?

Harras: What we had was Ray [Fawkes] coming on for two months to help out, schedule-wise. We’re very happy Gail is back; she’s on the book moving forward, so to me, that was a moment in time where we were just looking for Gail’s next plot to come in and we’re moving forward.

B&B: “Constantine” Creative Changes, 900 Issues of “Detective” & More - Comic Book Resources

Follow-up question: “When the news broke, Simone herself said that she was informed she was no longer the new writer. That doesn’t sound as temporary as simply waiting on her next plot. Can you expand on what happened here? Was there a miscommunication?”

Don’t let these people rewrite history and use your platform to do it.

(via iamdavidbrothers)

Such patent nonsense, so obviously false and easily disproven. There are good journalists covering comics, for sure, but so many are clowns who accept crap like this and post it without confrontation. Is Bob Harras now considered a forthright, truthful guy? It’s insulting to both Simone and the fans to present this farcical version of whatever the real truth is. Simone doesn’t have a reputation for being late, but even if she was, the standard procedure would have been to schedule someone, Fawkes or whoever, to do a little fill-in arc to help her get back on schedule. She announced she was removed from the book. There was no benefit to her saying that, so we can assume that as far as she knew, it was true.

—Christopher Allen

Peter A. David Suffers Stroke

Comics writer Peter A. David suffered a stroke while on vacation with his wife. He cannot move much of the right side of his body and is experiencing vision problems. Please consider sending him your best wishes for a speedy recovery.

Chris

ADD’s Farewell to American Elf

Click over to Kochalkaholic to read my thoughts on the end of James Kochalka’s American Elf daily diary strip.

Alan David Doane 

It was just another comic book art job.
Steve Ditko on Amazing Spider-Man.